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Browsing Oil Paintings in alphabetical order...

"A Child is born" (2013), 122 x 183, after the music of Jan Dismas Zelenka (1679 - 1745) - discover Zelenka (compositions used: Responsoria pro hebdomada sancta ZWV 55 (Coena Domini Responsoria I-IX, Paravesce Responsoria I-III))
"A dream of yellow flowers" (2010), 61 x 61, after the music of Johann Jakob Froberger (1616-1667) (compositions used: Suites for harpsichord - "The Strasbourg Manuscript" (suites II-VI,XI and XII))
"Acrobats" (2002), 91 x 107, after the music of Bohuslav Martinu (1890-1959) (compositions used: Flute trios and madrigals)
"Adam and Eve" (2005), approx. 15 x 12
"Adam and Eve in the crystal garden" (2003), 112 x 112 , after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Piano Quintet, String Quartet No. 12)
"Adoration of the Magi" (1998), 71 x 71
"Allegory of Autumn" (2017), 86.5 x 86.5 , after the music of Max Reger (1873-1916) (compositions used: Lieder)
"Allegory of sound" (2004), 112 x 112, after the music of Josquin (c. 1450 to 1455 - 1521) (compositions used: Missa L'ami baudechon and other sacred works)
"Altar of the Resurrected Sun (polyptych)" (2009), 56.5 x 56.5, 38 x 38, 38 x 38, 61 x 45.5, 61 x 45.5, after the music of Franz Schubert (1797-1828) (compositions used: Songs (Die Winterreise, Schwanengesang); Sonata for Arpeggione and Piano D821)
"Amethysts I" (2003), 112 x 137, after the music of Max Reger (1873-1916) (compositions used: Violin Solo Sonatas Op. 91 Nos. 2, 4, 7)
"Amethysts II" (2003), 61 x 51
"Angel of the Wheat" (2018), 92 x 122, after the music of Antonio Vivaldi (1678-1741) (compositions used: La Senna festeggiante - serenata)
"Anima Mea" (2014), 55.5 x 40.5, after the music of Johann Melchior Molter (1696 - 1765) (compositions used: Clarinet concertos Nos 1-5)
"Aquarium" (2008), 122 x 137, after the music of Max Reger (1873-1916) (compositions used: Violin concerto op.101 (1907-1908))
"Aquarius" (2006), 76.5 x 61 , after the music of Sergei Prokofiev (1891-1953) (compositions used: Piano Sonatas 1, 3, 4 (Opp. 1, 28, 29))
"Aries" (2007), 76.5 x 56 , after the music of Johann Fux (1660 - 1741) (compositions used: Sacred Works)
"Awakening" (2018), 137.5 x 168, after the music of Sergei Prokofiev (1891-1953) (compositions used: Piano Concertos No.3 Op. 26, No.4 Op.53 and No.1 Op.10)
"Bach organ works" (2000), 122 x 112, after the music of JS Bach (1685-1750) (compositions used: Organ works)
"Baroque butterfly of the water melons" (2003), 122 x 96.5, after the music of Max Reger (1873-1916) (compositions used: Solo Cello Suites, Op 131c)
"Bathsheba" (2008), 137 x 122, after the music of Giovanni Bononcini (1670-1747) (compositions used: Cantate da Camera ("Care luci del mio bene" and others))
"Behold, He comes (Ecce venit)" (2017), 183 x 259, after the music of Haydn (1732-1809) (compositions used: Missa in augustiis (Nelsonmesse) Hob.XXII:11, Schopfungmesse Hob.XXII:13)
"Bird of love" (2003), 20 x 26
"Blessing" (2018), 61 x 71, after the music of Anton_Arensky (1861-1906) (compositions used: Piano Trio No1 Op.32, Piano Trio No2 Op.73)
"Blossoming in blue" (2004), 91 x 71, after the music of Paul Hindemith (1895-1963) (compositions used: Piano Works, op.37)
"Blue geraniums" (2000), 122 x 112
"Blue Japanese women" (1999), 152 x 122
"Bride" (2004), 18.5 x 15.5
"Brown butterflies" (2001), 122 x 112
"Butterfly" (2001), 56 x 40
"Cancer" (2006), 61 x 61 , after the music of Nikolai Medtner (1880-1951) (compositions used: Songs for soprano (settings of various Russian poets))
"Capricorn" (2006), 76.5 x 61 , after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Sonatas for cello and piano 1 & 2 (Opp. 21, 63))
"Caspar and the bush" (2017), 56 x 40.5, after the music of Luigi Boccherini (1743 - 1805) (compositions used: String Quintets (1-3), Op. 28)
"Chamber cantata" (2008), 61.5 x 51 each, after the music of Max Reger (1873 -1916) (compositions used: Schlichte Weisen (Simple Ditties), Op. 76, 1903-1912 - songs)
"Chess I" (2002), 107 x 107, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Piano sonatas 4, 5, 6)
"Chess II" (2002), 107 x 107, after the music of Gabriel Faure (1845 - 1924) or bio on this site (compositions used: Nocturnes 7 - 13)
"Cinderella" (2008), 106.5 x 91.5 , after the music of Bohuslav Martinu (1890-1959) (compositions used: Piano Sonata and other works for piano)
"Conversation" (2006), 35.5 x 35.5
"Cooking music" (2000), 122 x 122
"Danae" (2008), 122 x 137.5, after the music of Rautavaara (b. 1928) (compositions used: Symphony No. 8, Harp Concerto)
"Dance of the Muses" (2009), 122 x 168, after the music of Haydn (1732-1809) (compositions used: Piano chamber music (concertini Hob. XIV:12, XVII:F2, divertimenti Hob XIV:3,7,C2) quintet Hob XIV:1))
"Dancing in blue" (2011), 112 x 106.5 , after the music of Louis Spohr (1784 - 1859) (compositions used: Mass op.54, Three Psalms op.85)
"Dancing to the Music of Time" (2017), 137 x 168, after the music of Rupert Ignaz Mayr (1646-1712) (compositions used: Selection of vocal works from Gazophylacium musico-sacrum (1702), Sacri concentus (1681) and Psalmodia brevis (1706).)
"Dancing with the Moon" (2003), 122 x 112, after the music of Paul Hindemith (1895-1963) (compositions used: String Quartets 2, 4, 7)
"Dandelion II" (2012), 61 x 40.5 , after the music of Mozart (1756 - 1791) (compositions used: Clarinet Quintet (K581); "Kegelstatt" Trio (KV 498))
"Dandelions" (2001), 56 x 35
"Das Marienleben (diptych)" (2007), 122 x 91.5 each, after the music of Paul Hindemith (1895-1963) (compositions used: Das Marienleben (1927) for the left panel and das Marienleben (1948 version) for the right panel)
"Daydream" (2014), 168 x 137, after the music of Max Reger (1873-1916) (compositions used: Sacred songs Op.138 Nr.1-4, Three motets Op.110 )
"Decalogue of the artist" (2000), 112 x 122
"Disputa (diptych)" (2007), 168 x 61 each, after the music of Paul Hindemith (1895-1963) (compositions used: Synphonia Serena (1946))
"Dragonfly" (2010), 40.5 x 51
"Dream" (2002), 112 x 122
"Drops of purity" (2012), 56 x 56 , after the music of Mozart (1756 - 1791) (compositions used: Piano sonatas Nos. 15-18 (KV 533, 545, 570, 576))
"Duet" (2005), 137.5 x 122.5, after the music of Max Reger (1873-1916) (compositions used: String Quartets Opp. 109, 121)
"Duo sonata (diptych), left panel" (2017), Each panel 106.5 x 56 , after the music of Arcangelo Corelli (1653 - 1713) (compositions used: Violin Sonatas, Op 5 (12 sonate a violino e violone o cimbalo) - Sonatas No1 to No6)
"Duo sonata (diptych), right panel" (2017), Each panel 106.5 x 56 , after the music of Arcangelo Corelli (1653 - 1713) (compositions used: Violin Sonatas, Op 5 (12 sonate a violino e violone o cimbalo) - Sonatas No1 to No6)
"Early morning" (2004), approx. 18 x 16
"Enigma" (2011), 46 x 40.5 , after the music of Camille Saint-Saens (1835-1921) (compositions used: Melodies sans paroles (songs transcribed for oboe and piano), Sonata for oboe and piano op.166)
"Evening Morning (diptych)" (2007), 122 x 153 (left panel) 122 x 122 (right panel) , after the music of Dmitri Shostakovich (1906 - 1975) (compositions used: Cello Sonata, Piano Quintet)
"Eye on the sky" (2008), 61 x 76 , after the music of Arnold Schoenberg, Alban Berg, Anton Webern (compositions used: Piano works)
"Falling star" (2002), 107 x 107
"Flora" (2005), 86.5 x 107, after the music of Sergei Prokofiev (1891-1953) (compositions used: String quartet 1 and 2, Cello sonata)
"Following the Star" (2015), 137 x 168, after the music of Sergei Prokofiev (1891-1953) (compositions used: Symphony No. 7 Op. 131 and Symphony No. 4 Op. 112 )
"Forest fairy tale" (2003), 112 x 137, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Symphony 19, Chamber Symphony 3)
"Forever together" (2011), 24.5 x 19.5 , after the music of Louis Spohr (1784 - 1859) (compositions used: Sonatas for violin and harp Op.114 and Op.115, Fantasie Op.118, Mary's Aria from Des Heilands letzte Stunden, Lied der Emma from the drama Der Erbvertrag)
"Friends" (2009), 21 x 21, after the music of Gabriel Faure (1845 - 1924) or bio on this site (compositions used: Songs)
"Garden of delights I" (2001), 30 x 29
"Garden of delights II" (2001), 30 x 29
"Garden of delights III" (2002), 30 x 29
"Garden of delights IV" (2002), 30 x 29
"Gemini" (2006), 61 x 76.5, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Preludes for Piano)
"Girl with a cat on a rainy day" (2001), 56 x 36
"Girl with purple flowers" (2001), 56 x 35
"Golden Venus" (2004), 137 x 91.5 , after the music of Paul Hindemith (1895-1963) (compositions used: Piano Sonatas 1, 2, 3)
"Gothic song" (2002), 112 x 137, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Chamber symphonies 1, 4)
"Gratitude" (2008), 91.5 x 122.5, after the music of Renaissance composers on the Song of Songs (compositions used: Works on Canticum Canticorum)
"Green flower" (2004), 91.5 x 71 , after the music of Paul Hindemith (1895-1963) (compositions used: Ludus Tonalis (1945))
"Grieg - Lyric pieces" (2001), 92 x 71, after the music of Edvard Grieg (1843-1907) (compositions used: Lyric pieces, op.65, 68 and 71)
"Grieg - Peer Gynt" (2001), 76 x 71, after the music of Edvard Grieg (1843-1907) (compositions used: Peer Gynt, Suite No1, op.46 and Suite No. 2 op 55)
"Heavenly tears" (2013), 40.5 x 56 , after the music of Max Reger (1873-1916) (compositions used: Works for piano (Aus meinem Tagebuch) op. 82)
"Hebrew meditations" (2005), 122.5 x 84, after the music of Ernest Bloch (1880 - 1959) (compositions used: Baal Shem, Suite Hebraique, Solo cello suites 1-3 )
"Hot summer day" (2004), 27.5 x 27.5, after the music of Antonio Carlos Jobim (compositions used: Samba de uma nota so)
"Hyacinth in the middle" (2003), 122 x 96.5, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: String Quartets 1, 10, 17)
"I am looking at you" (2006), 35.5 x 35.5
"I sing a little song" (2010), 24.5 x 19.5, after the music of Sylvius Leopold Weiss (1686-1750) or more details on the composer's site (compositions used: Sonatas nos 36, 49 and 42)
"Illumination" (2004), 18.5 x 15.5 , after the music of Palestrina (c 1525 - 1594) (compositions used: Song of Songs)
"Improvisation (Angel of Humility)" (2018), 92 x 123, after the music of Robert Descombes (compositions used: Improvisations by Robert Descombes)
"Ina of Urbino" (2004), 112 x 137 , after the music of Max Reger (1873-1916) (compositions used: Piano Quartet Op. 133 and Duos for 2 Violins Op. 131b)
"Jewish Bride" (2004), 28 x 27.5
"Journey of a Star" (2009), 61 x 61, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Songs (Trois melodies, La mort du nombre, Chants de Terre et de Ciel))
"Jubilate Deo" (2015), 137 x 56 , after the music of Buxtehude (1637/39 - 1707) (compositions used: Sacred Cantatas: Jesu, meine Freud und Lust, BuxWV 59; Sicut Moses, BuxWV 97; In te, Domine, speravi, BuxWV 531; Wenn ich, Herr Jesu, habe dich, BuxWV 107; Jubilate Domino, BuxWV 64; Wie schmeckt es so lieblich und wohl, BuxWV 108)
"King Lemon" (2008), 61 x 45.5, after the music of Antonio Vivaldi (1678-1741) (compositions used: Wind concertos)
"Kisses of the Wind" (2015), 25 x 20, after the music of William Byrd (1539/40 - 1623) (compositions used: Cantiones Sacrae: Emendemus in melius, Libera me Domine et pone, Peccantem me quotidie, Aspice Domine quia facta est, Attolite portass, O lux beata Trinitas, Laudeate pueri Dominum, Memento homo, Siderum rector)
"Lanterns (diptych)" (2000), each panel 137 x 61
"Laudabo te Domine in aeternum" (2012), 107 x 92 , after the music of Giacomo Carissimi (1605 - 1674) (compositions used: Mass for Three Voices, Motets)
"Laudetur Jesus Christus" (2016), 137 x 137, after the music of Bohuslav Chernohorsky (1684-1742) (compositions used: Litanie Lauretanae; Regina Coeli A 8; Vesperae Minus Solenne; Dixit Dominus; Confitebor; Beatur Vir; Laudate Pueri; Laudate Dominum; Magnificat; Quare Domine Irasceris; Memento Abraham; Regina Coeli; Quem Lapidaverunt; Laudetur Jesus Christus)
"Leo" (2006), 61 x 61 , after the music of Max Reger (1873-1916) (compositions used: Sonatas for Solo Violin, Op.91, Nos. 1, 3, 5, 6)
"Libra" (2006), 76.5 x 61 , after the music of Ivan Wyschnegradsky (1893-1979) (compositions used: Viola sonata Op. 34 and works for 2 and 4 pianos tuned a quarter tone apart (Etude sur le mouvements rotaries Op. 45c, Dialogue Op. posth, Etudes sur les densites et les volumes I & II Op. 39bis, Dithyrambe Op. 12))
"Light" (2003),
"Little daisy" (2000),
"Love from first sight I" (2001), 56 x 51
"Love from first sight II" (2001), 56 x 51
"Love songs" (2005), 122.5 x 84, after the music of Pierre de La Rue (circa 1452-1518) (compositions used: Missa Alleluia)
"Madonna of Chicago" (1999), 137 x 122
"Madrigal" (2007), 122 x 137 , after the music of initially C. Monteverdi, Madrigals Book 4. The work was completed on the music of Giovanni Legrenzi (circa 1626-1690) (compositions used: "Dies Irae" and motets)
"Magic and miracle" (2003), 112 x 137, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Piano works for children, Piano trio)
"Mass for three voices" (2016), 122 x 152.5, after the music of Francesco Durante (1684-1755) (compositions used: Mass for two sopranos, bass and continuo; Vespers for the Blessed Virgin fot soloists, choir and continuo)
"Meditation (triptych)" (2013), each panel 35.5 x 35.5 , after the music of Andre Campra (1660-1744) (compositions used: Petit motets (In Domino gaudebo, Florete prata, Exurge Domine, O sacrum convivium, O Jesu amantissime, Ecce quam bonum, Laudeate Dominum de caelis etc.))
"Meditation in white" (2017), 112 x 138, after the music of Paul Hindemith (1895-1963) (compositions used: Violin Solo Sonatas Op. 31 Nos. 1 & 2, 41 Duos for 2 Violins (1930))
"Meditation on the Holy Trinity" (2007), 137.5 x 168 , after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Meditations sur le Mystere de la Sainte Trinite (Meditation on the Holy Trinity) - organ works)
"Melody" (2017), 56 x 40.5 , after the music of Georg Friedrich Handel (1685-1759) (compositions used: Cantatas HWV142, HWV152, HWV133, HWV105)
"Memories" (1998), 66 x 71
"Michaelmas" (2017), 152.5 x 244 , after the music of Maksym Berezovsky (1745 - 1777) (compositions used: Liturgy, Eucharistic Verses)
"Mizraim, mizraim" (2003), 112 x 137, after the music of Dmitri Shostakovich (1906 - 1975) (compositions used: Violin concertos 1 and 2)
"Moon meadow" (2003), 71 x 91.5, after the music of Josquin (c. 1450 to 1455 - 1521) (compositions used: Motets)
"Music lesson" (2009), 137 x 168, after the music of Philipp Heinrich Erlebach (1657 - 1714) (compositions used: Cantatas ("Ich will euch wiedersehen" and others))
"Musica Nova" (2005), 122 x 183 , after the music of Paul Hindemith (1895-1963) (compositions used: Wind Septet, Clarinet Quintet Op. 30, Octet)
"My backyard" (2005), 102 x 86, after the music of Dmitri Shostakovich (1906 - 1975) (compositions used: 24 Preludes and Fugues for piano Op. 87)
"Mysteries of the future (after Van Eyck)" (2000-2003), 168 x 122, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Organ works - Les Corps Glorieux (1939), Verset pour la fete de la Dedicace (1960))
"Oboe trio and a harp (diptych)" (2005), 122.5 x 112 each, after the music of Paul Hindemith (1895-1963) (compositions used: Sonatas for Viola Solo (Opp. 11 No. 5, 25 No. 1, 31) - for Obo Trio, Concertos for Viola - (A Harp))
"Octava Spera I" (2010), 152.5 x 91.5 , after the music of Dmitri Shostakovich (1906-1975) (compositions used: String quartets Nos 7 and 14)
"Octava Spera II" (2011), 152.5 x 91.5, after the music of Guillaume Dufay (c.1397 - 1474) (compositions used: Isorhythmic motets, transcr. Paul Van Nevel)
"Ode to Spring" (2010), 51 x 40.5, after the music of Nikolai Medtner (1880-1951) (compositions used: Violin Sonatas nos 1 and 2 (op.21 and op.44), two Canzonas with Dances op.43)
"Ora pro nobis" (2015), 168 x 122.5, after the music of Francesco Durante (1684-1755) (compositions used: Pastorale and motet for the Nativity of Jesus Christ Ad precepe venite, Magnificat a 4 (B-Dur and C-moll), Litanie della Beate Maria Virgine, Kyrie and Gloria mass (A-Dur) in Pastorale)
"Painting the rainbow" (2004), 122 x 183, after the music of Max Reger (1873-1916) (compositions used: Quartet for Strings in D minor, Op. 74, Trio for Strings no 2 in D minor, Op. 141b)
"Pink azaleas" (2004), 61 x 51, after the music of Paul Hindemith (1895-1963) (compositions used: Kammermusik, Konzertmusik - concertos for piano and orchestra)
"Pisces" (2006), 76.5 x 61 , after the music of Paul Hindemith (1895-1963) (compositions used: Piano Concerto (1945), The Four Temperaments)
"Poiesis I - Art" (2014), 137.5 x 112, after the music of Max Reger (1873-1916) (compositions used: Cello Sonatas 2 (Op.28) and 3 (Op. 78))
"Poiesis II - Science" (2014), 137.5 x 112, after the music of Max Reger (1873-1916) (compositions used: Works for piano - Six Preludes and Fugues Op.99; Episodes Op.115)
"Poiesis III - Religion" (2015), 137.5 x 112, after the music of Max Reger (1873-1916) (compositions used: Organ works - Sonata No. 2, Op.60; Twelve pieces Op.65, Nos. 7-12)
"Primavera (diptych)" (2004), 168 x 61 each, after the music of Jean-Michel Damase (b 1928) (compositions used: Works for Flute, Harp and Strings)
"Psalm" (2011), 122 x 137.5 , after the music of Johann Rosenmüller (1619 - 1684) (compositions used: Latin Psalm Concertos (Jube Domine, In te Domine speravi etc.))
"Queen of quinces" (2007), 137.5 x 168 , after the music of Max Reger (1873-1916) (compositions used: Sonatas for Solo Violin, Op.91, Nos. 1, 3, 5, 6)
"Queen of spades" (2003), 112 x 137, after the music of Bohuslav Martinu (1890-1959) (compositions used: Cello sonatas 1, 2 and 3)
"Reason and Mercy (diptych), left panel" (2018), 168 x 102, after the music of Haydn (1732-1809) (compositions used: (1) Sinfonia Concertante, Hob.I/105; (2) “ Nikolaimesse” Hob.XXII:6)
"Reason and Mercy (diptych), right panel" (2018), 168 x 102, after the music of Haydn (1732-1809) (compositions used: (1) Symphony No. 103 (“Drum Roll”), (2) “Kleine Orgelmesse” Hob.XXII:7)
"Red Angel of the Waratah" (2002), 91 x 122, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Symphony 2, Chamber symphony 2)
"Reger - Chamber music" (2001), 137 x 76, after the music of Max Reger (1873-1916) (compositions used: String quartets op.54, 1 and 2; String Trio in A minor, Op. 77B)
"Reger - The two serenades for flute" (2001), 76 x 137, after the music of Max Reger (1873-1916) (compositions used: The two serenades for flute, violin and viola - in D, op. 77a, in G op. 141a )
"Ruby Cherubim" (2003), 137 x 61.5, after the music of Rautavaara (b. 1928) (compositions used: Symphony 7, Organ concerto)
"Sagittarius" (2007), 61 x 61, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Piano works - Catalogue d'oiseaux, Books 3, 4, 5)
"Salome" (2003), 112 x 137, after the music of Paul Hindemith (1895-1963) (compositions used: String Quartets 1 and 5)
"Scorpio" (2006), 61 x 61, after the music of Pierre de La Rue (circa 1452-1518) (compositions used: Missa In Nativitate Beatae Mariae Virginis)
"Seeds of Love" (2006), 122 x 153 , after the music of Pierre de La Rue (circa 1452-1518) (compositions used: Missa de Septem Doloribus)
"Self-portrait" (2013), 107 x 84, after the music of Andre Campra (1660-1744) (compositions used: Motets: O Jesu amantissime, Beati omnes, Immensus es Domine, Quam dilecta tabernacula tua, Salvum me fac Deus)
"Semillon lady I" (2000), 51 x 41
"Semillon lady II" (2000), 71 x 61
"Serenade" (2006), 122 x 183, after the music of Paul Hindemith (1895-1963) (compositions used: Sonatas for violin and piano (in E# Op. 11/1; in D Op. 11/2; in E, from 1935; and in C, from 1939))
"She walks in beauty" (1999), 137 x 122
"Singen die Blumen" (2010), 153 x 122 , after the music of Max Reger (1873-1916) (compositions used: String sextet in F major op.118, String trio in A minor op.77b)
"Soap bubbles" (2002), 106 x 87, after the music of Paul Hindemith (1895-1963) (compositions used: String trios 1 and 2)
"Sonata for four horns" (2006), 122 x 152.5 , after the music of Paul Hindemith (1895-1963) (compositions used: Sonata for Four Horns, Sonatas for Horn and Alto Horn, Wind Quintet Op. 24 No. 2)
"Song of Innocence" (2015), 138 x 138, after the music of Buxtehude (1637/39 - 1707) (compositions used: Sacred cantatas: BuxWV62, BuxWV 10, BuxWV 31, BuxWV 34, BuxWV 15, BuxWV 41)
"Song of the dawn" (2005), 107 x 86.5, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Piano works - Catalogue d'oiseaux, Books 1,2)
"Song of the Fire" (2012), 137.5 x 137.5, after the music of Jan Dismas Zelenka (1679 - 1745) - discover Zelenka (compositions used: (1) Laetatus sum ZWV 90; (2) Alma Redemptoris Mater ZWV 123; (3) Solicitus fossor ZWV 209)
"Song of the Goddess Natura" (2013), 137 x 168 , after the music of Max Reger (1873-1916) (compositions used: Violin Sonatas #4 Op. 72 and #5 Op. 84)
"Spanish portrait" (2004), 112 x 137 , after the music of Rautavaara (b. 1928) (compositions used: Piano works)
"Square night" (2002), 107 x 107, after the music of Nikolai Myaskovsky (1881 - 1951) (compositions used: Cello sonatas 1 and 2, Cello concerto)
"St Agatha" (2008), 102 x 76, after the music of Dmitri Shostakovich (1906 - 1975) (compositions used: String Quartets 6, 8, 9)
"Stargazers" (2008), 122.5 x 71, after the music of Bohuslav Martinu (1890-1959) (compositions used: String Quartets 3, 6 and other chamber works)
"Still life in red (Martha and Mary)" (2003), 112 x 112, after the music of Ivan Wyschnegradsky (1893-1979) (compositions used: 24 Preludes dans l'echelle chromatique diatonisee a 13 sons, Op. 22 (1934/rev. 1960/70), Etude sur le mouvements rotaries Op. 45a (1961))
"Street musician" (2003), 122 x 112, after the music of Bohuslav Martinu (1890-1959) (compositions used: Symphonies 1 and 2)
"Summer concert" (2011), 40.5 x 46, after the music of Antonio Vivaldi (1678-1741) (compositions used: Recorder Concertos RV95, 441-5)
"Summer fruits" (2002-2007), 122 x 122
"Sunset moods" (2005), 122.5 x 112, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Piano Sonatas 1-3 (Opp. 5, 8, 31))
"Symphony Nr 7 (after Weinberg)" (2004), 137 x 168 , after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Symphony No. 7 for strings and harpsichord, Op. 81)
"Taurus" (2006), 61 x 61, after the music of Paul Hindemith (1895-1963) (compositions used: Cello concerto Op. 3 (1916), Kammermusik No. 3 Op. 36/2 (1925), Cello concerto (1940))
"Telemann - 12 sonatas metodiche" (2001), 112 x 122
"Tenderness" (2016), 56 x 56, after the music of Luigi Boccherini (1743 - 1805) (compositions used: Trio for violin, viola and violoncello in C minor, Op. 14 No. 2; Quartet for two violins, viola and violoncello in A major, Op. 39; String Quintet Op. 27 No. 4 in E flat major (Quintettino), G304; String Quintet Op. 39 No. 2 in F major, G338)
"The Alchemist" (2005), 137.5 x 112, after the music of Sergei Prokofiev (1891-1953) (compositions used: Piano Sonatas 2, 7, 8)
"The Angel of Growth" (2009), 168 x 122, after the music of Jan Dismas Zelenka (1679 - 1745) - discover Zelenka (compositions used: Missa Dei Patris ZWV 19 (1740))
"The Angel of Justice" (2010), 153 x 122, after the music of Gabriel Faure (1845 - 1924) or bio on this site (compositions used: Requiem)
"The Angel of Life" (2009), 153 x 122, after the music of Sergei Prokofiev (1891-1953) (compositions used: Piano Concertos Nos. 2 and 5)
"The Angel of Love" (2010), 153 x 122, after the music of Dmitri Shostakovich (1906-1975) (compositions used: String quartets Nos 1,3 and 4)
"The Angel of Power" (2010), 168 x 122, after the music of Sergei Rachmaninov (1873-1943) (compositions used: Preludes, op.32 nos.5-13, Piano Sonata No.2)
"The Angel of Truth" (2009), 153 x 122, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Piano works - Catalogue d'oiseaux, Books 6 and 7)
"The Angel of Wisdom" (2009), 168 x 122, after the music of Antonio Vivaldi (1678-1741) (compositions used: Motets (for soprano) RV 600, 631, 632)
"The apparition of the fishermen" (2006), 122 x 137 , after the music of Paul Hindemith (1895-1963) (compositions used: Serenade Op. 35, Sonatas for oboe and piano, English horn and piano, Hecklephone trio Op. 47)
"The Blossom of Sound" (2015), 137 x 56 , after the music of Dmitri Shostakovich (1906 - 1975) (compositions used: Sonata for violin and piano, op.134; sonata for viola and piano, op.147)
"The Burial of Virgin Sophia" (2014), 122 x 183, after the music of Paul Hindemith (1895-1963) (compositions used: (1) Mass (1963); (2) Organ Sonatas 1 and 2)
"The Chess Player" (2014), 137 x 137.5, after the music of Sergei Prokofiev (1891-1953) (compositions used: Hebrew overture Op. 34; piano works Op. 45 (Veshchi v sebe - Things in themselves); Op. 54 Nos. 1 & 2 (Piano sonatinas); Op. 59 Nos. 1-3 (Three pieces) and Op. 62 (Pensees - Thoughts))
"The composer's garden" (2013), 71 x 92 , after the music of Louis Spohr (1784 - 1859) (compositions used: Piano Trios Nos. 1 & 2 (Opp.119 & 123) )
"The Dream of Venus" (2016), 137.5 x 168, after the music of Franz Schubert (1797-1828) (compositions used: Lieder)
"The first ray of the Sun" (2005), 86.5 x 107, after the music of Thomas Tallis (1505 - 1585) (compositions used: Motets, Mass for Four Voices)
"The Flower of Childhood" (2014), 122.5 x 122.5, after the music of Franz Schubert (1797-1828) (compositions used: String quartet No. 13 (D.804), String quartet No. 10 (D.87))
"The flowers of little Ida" (2008), 71 x 92 , after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: "La Fauvette des jardins" (The Garden Warbler), works for piano (1975))
"The fruit of the soul I" (2012), 40.5 x 40.5, after the music of Mozart (1756 - 1791) (compositions used: Flute Cto No 1 K313, Flute Quartets K285, K285a, K298)
"The fruit of the soul II" (2012), 40.5 x 40.5 , after the music of Sylvius Leopold Weiss (1686-1750) or more details on the composer's site (compositions used: Sonatas nos 15 and 48)
"The fruit of the soul III" (2012), 40.5 x 40.5, after the music of Johannes Brahms (1833 - 1897) (compositions used: Sonatas for piano and violin nos. 1-3 (op. 78, 100, 108))
"The Golden Lake" (2004), 31 x 41
"The horn" (2005), 137.5 x 61.5, after the music of Dmitri Shostakovich (1906 - 1975) (compositions used: String quartets 2, 12)
"The joy of autumn" (2005), 97 x 71.5 , after the music of Paul Hindemith (1895-1963) (compositions used: Concertos for wind instruments (clarinet, 1947; horn, 1949; trumpet and bassoon, 1949; flute, oboe, clarinet, bassoon and harp, 1949) )
"The King's Joy" (2010), 24.5 x 19.5, after the music of King Leopold I (1640-1705) and Antonio Bertali (1605-1669) (compositions used: Regina Coeli by King Leopold I, Sonatas by A.Bertali)
"The kiss" (2004), 91.5 x 71 , after the music of Paul Hindemith (1895-1963) (compositions used: Sonatas for viola and piano (Op. 11/4, 1919; Op. 25/4, 1922; sonata from 1939))
"The lit candle" (2011), 61 x 84 , after the music of Perotin (c. 1200) and anonymous works (compositions used: Notre Dame school chants (12th-14th centuries))
"The little fly" (2000), 66 x 61
"The magic flute" (2005), 137.5 x 76.5, after the music of Sergei Prokofiev (1891-1953) (compositions used: Violin Concertos 1 and 2, Violin Sonata)
"The old pub" (2000), 122 x 122
"The Revelations of Spring (diptych)" (2012), Left 137 x 122, Right 122 x 168, after the music of Paul Hindemith (1895-1963) (compositions used: (1) Cantata "Ite Angeli veloces" (2) Organ sonata No. 3)
"The Shadow" (2000), 112 x 122, after the music of JS Bach (1685-1750) (compositions used: The Violin Concertos)
"The Truth is blue" (2002), 137 x 112, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: String quartets 7, 8, 9)
"The virgins and the lamps I" (2001), 112 x 107, after the music of Edvard Grieg (1843-1907) (compositions used: Lyric pieces, op.12, 38, 43 and 47)
"The virgins and the lamps II" (2001), 112 x 122, after the music of Edvard Grieg (1843-1907) (compositions used: Lyric pieces, op.54, 57 and 62)
"The white hibiscus" (2009), 122 x 137.5, after the music of Jean-Michel Damase (b 1928) (compositions used: Piano Music (Theme et Variations, Apparition, Huit Etudes etc))
"Thinking of Daphne" (2001), 122 x 102
"Touch of a water-horse" (2000), 122 x 137
"Transfigured Night" (2016), 56 x 56, after the music of Arnold Schoenberg, Alban Berg, Anton Webern (compositions used: Transfigured Night Op. 4; Trio for Violin, Viola & Cello Op.45; Phantasy, Op. 47, for Violin and Piano Accompaniment)
"Truth Shall Spring out of the Earth and Righteousness Shall Look down from Heaven" (2016), 168 x 122, after the music of Georg Friedrich Handel (1685-1759) (compositions used: (1) Gloria in excelsis Deo, HWV deest; (2) Te Deum "Queen Caroline", HWV 280; (3) "The ways of Zion do mourn" Funeral Anthem for Queen Caroline, HWV 264)
"Vespers" (2010), 107 x 86.5, after the music of Sergei Rachmaninov (1873 - 1943) (compositions used: Vespers (All-Night Vigil, Vsenoshchnoe Bdenie) Op.37, 1915)
"Virgin Sophia" (2006), approx. 21 x 21 , after the music of Arnold de Lantins (d.1432), Johannes Brassart (c. 1400-1455), Johannes Cesaris (1406-1417) (compositions used: Missa verbum incarnatum (de Lantins), Motets)
"Virgin Sophia of the Day" (2013), 122 x 168 , after the music of Jan Dismas Zelenka (1679 - 1745) - discover Zelenka (compositions used: (1) Te Deum ZWV 146; (2) Confitebor Tibi Domine - Ps 110 ZWV 71; (3) Alma Redemptoris Mater ZWV 126)
"Virgin Sophia of the Night" (2012), 137 x 168 , after the music of Ivan Wyschnegradsky (1893-1979) (compositions used: Two Meditations on themes from the Journal of Existence for cello (in 1/2, 1/3 and 1/6 tones) and piano Op. 7 (1918-1919, rev. 1976), Etude sur la carre magique sonore Op. 40 (1957, rev. 1970) for piano, Arc-en-ciel Op. 37 (1956) and Arc-en-ciel II Op. 52a (1956-58) for 6 pianos tuned 1/12 tone apart, Chant douloureux Op. 6 (1918) for violin (in 1/2, 1/3, 1,4 and 1/6 tones) and piano, Chant nocturne Op. 11 (1927, rev. 1971) for violin (in 1/2, 1/4, 1/6 and 1/8 tones) and 2 pianos tuned 1/4 tone apart.)
"Virgo" (2006), 76.5 x 61 , after the music of Pierre de La Rue (circa 1452-1518) (compositions used: Missa de Septem Doloribus)
"Water music" (2016), 112 x 137.5, after the music of Max Reger (1873-1916) (compositions used: Violin Sonata Op.122, Suite for Violin and Piano Op.103a)
"Weinberg Preludes for solo cello" (2001), 84 x 97, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Works for solo cello: Preludes (24) for solo cello and Sonata for solo cello No. 1)
"Weinberg Sonatas for solo cello" (2001), 66.5 x 82, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Cello Solo Sonatas Nos. 2, 3 and 4)
"White Angel of the kalalilly" (2002), 122 x 122, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Vingt Regards sur l'Enfant Jesus, 1944)
"White Angels (diptych)" (2011), each panel 168 x 122 , after the music of Jan Dismas Zelenka (1679 - 1745) - discover Zelenka (compositions used: Litaniae de Venerabili Sacramento, Regina coeli laetare, Salve Regina mater misericordiae, Lectiones, Invitatorium)
"White flower" (2010), 20 x 15, after the music of Georg Friedrich Handel (1685-1759) (compositions used: Dixit Dominus)
"With a scent of lavender" (2004), 28.5 x 27 , after the music of Russian Orthodox church music
"Woman with a mask" (2000), 66 x 61